"KALGOORLIE was gazetted as a municipality on the 5th of May, 1895, so that at the present time it is a mere infant in the matter of age among the cities of Australia. Even in the opening paragraphs, we can see how highly Australia's gold yield was valued, with entire town populations, infrastructure and folklore grown and moulded around its pursuit. The first page of a detailed article in the 1898 Western Mail Christmas Edition, based in Perth, on the rise of WA gold mining town Kalgoorlie. To best enjoy this once-forgotten golden nugget of Australian theatre, take a trip into our nation’s past… Peek inside office interiors and personal portraits which inspired the set and costumes, and read from local papers which provide a fascinating insight into the mood and priorities of the time. We invite you to journey through the dusty world of these turn-of-the-century Western Australian gold mining towns - Kalgoorlie and beyond. She says: "the world of The Torrents is inspired by office spaces of the Victorian era and based loosely on the office of the Western Argus newspaper published in Kalgoorlie between 18". Inspiration for The Torrents designer Renée Mulder's set and costumes can also be found in the images below. O’Connor.” The O'Connor she mentions was responsible for a landmark irrigation scheme, which you can read about more below.
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The character of Kingsley also bears some remarkable resemblances to our local hero C.Y. "In the 1940s, Oriel spent time in Kalgoorlie, which has inspired the fictional town of Koolgalla. A particularly fruitful strip of land east of Perth had become known as The Golden Mile, and its rumoured riches had drawn thousands to Western Australia, where towns were growing at a remarkable pace around gold mine sites.Īs The Torrents director Clare Watson acknowledges, this period piece, written in the 1950s by Australian playwright Oriel Gray, was inspired by the sights and sounds of the Kalgoorlie-Boulder-Coolgardie area Gray visited herself more than seventy years ago. Set in a newsroom in the fictional Australian town of Koolgalla in the 1890s, it brings to life a distant era when at one point, the nascent Western Australian gold mining towns felt like the centre of the universe, and the new frontier.
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Though its themes of sustainabilty, the role of journalism, and gender politics in the workplace are eerily relatable to our twenty-first century urban lives, period drama-comedy The Torrents is, in many ways, another world away.